BLACKPINK member Lisa has sparked conversation online after unveiling the artwork for her upcoming single ‘SaWaDiKa’. Some people criticised the cover, while others defended the singer’s creative direction.
Lisa will release ‘SaWaDiKa’ as the lead single from her upcoming EP, ‘PRESS PLAY’.
The EP is scheduled for release on October 23 this year.
‘SaWaDiKa’ will arrive on September 3.
The project follows Lisa’s debut solo studio album, ‘Alter Ego’, which she released in February 2025.
Cover artwork: too provocative or artistic freedom?
Lisa revealed the cover artwork and quickly sparked debate online.
Some users criticised the visual concept. They called the artwork overly provocative and questioned whether it matched the direction of the upcoming music.
The reaction added another talking point to Lisa’s new musical era.
“Sorry lisa, but can’t understand this pic and like,” one person commented on Lisa’s Instagram post.
The post featured a photo of underwear with the word “SaWaDiKa” written on it.
“The cover art looks so cheap… she’s trying way too hard to become one of the main pop girls,” another user wrote on X, according to Koreaboo.
However, many fans defended Lisa and her creative choices.
Supporters argued that the criticism was unnecessary. They also said Lisa should have the freedom to explore different artistic concepts.
Other fans praised her confidence and visual presentation.
Several supporters also encouraged people to wait for the music before judging the project.
“Queen is backkkk,” one fan wrote in a TikTok video featuring an edit of Lisa’s teasers for the song.

A nod to the artist’s Thai roots
The debate has not reduced excitement surrounding ‘SaWaDiKa’.
The title references a Thai greeting and highlights Lisa’s connection to her roots.
The song marks another chapter in Lisa’s solo career.
‘PRESS PLAY’ could also build on her global pop identity while placing greater emphasis on her Thai heritage.
Fans will soon discover how the artwork connects with the music when ‘SaWaDiKa’ arrives on September 3.
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